Void Rivals #31 (Image Comics, 6/24/26): Writer Robert Kirkman and artist Conor Hughes send Skuxxoid and his divided brethren on a last-ditch battle to overthrow Skuxxoid Alpha. Equal parts action and pathos, the issue brings Skuxxoid’s dilemma to a satisfying conclusion. Verdict: Worth it for fans of the series.
Credits:
- Writer: Robert Krikman
- Artist: Conor Hughes
- Colorist: Patricio Delpeche
- Letterer: Rus Wooton
- Cover Artist: Lorenzo De Felici (cover A)
- Publisher: Image Comics
- Release Date: June 24, 2026
- Comic Rating: Teen
- Cover Price: $3.99
- Page Count: 32
- Format: Single Issue
Covers:
Analysis of Void Rivals #31:
First Impressions:
Void Rivals #31 distinguishes itself as one of the more memorable issues in the series because it brings an open thread to a close with a solid mix of emotion and action that furthers the plot. When Kirkman nails it, he nails it.
Recap:
There are a lot of (too many?) threads going on in this series, so we’ll just recap the one that matters here. Skuxxoid was captured, drawn, and quartered, but his race has the capacity to regrow from scratch, creating new Skuxxoids from the pieces. He soon learns he was captured by the first Skuxxoid, Skuxxoid Alpha, who retains the memory of Skuxxoid’s wife and children. Now, Skuxxoid gathers his fellow captives and clones to overthrow Skuxxoid Alpha’s oppression.
Plot Analysis (SPOILERS):
The issue begins with the opposing forces facing off. Skuxxoid implores Alpha’s army to simply join forces because Alpha has no power beyond what they give him. Alpha counters by proclaiming Skuxxoid’s words are nothing but lies. And then they fight.
Eventually, one of the divided tells the combatants that Skuxxoid’s words about freedom and equality are true because he was captured at the same time and Skuxxoid did not try to enslave him. When the seeds of doubt spread rapidly, Skuxxoid challenges Alpha for a one-on-one fight. The fight is furious, but Skuxxoid offers to end the battle without death if Alpha will divulge the whereabouts of their wife and children. In a heartbreaking moment of surrender, Alpha explains they died years ago, leaving all Skuxxoids in a state of grief.
The issue ends with Skuxxoid leaving to find his ship while carrying the weight of his loss.
How is the story in Void Rivals #31?
Kirkman’s ending for the Skuxxoid plot is the kind of writing that makes a silly side character so much more. Skuxxoid’s fight is desperate, and the knowledge of his family’s fate is gut-wrenching. Kirkman infuses a simple “battle to the end” conclusion with emotional weight and promise for an open-ended future.
How is the art in Void Rivals #31?
Conor Hughes does an equally fine job nailing the energy and emotional punch of the arc’s conclusion. Hughes’s panel-framing is outstanding, the fight is visually impactful, and the expressions of grief come through loud and clear. Furthermore, Patricio Delpeche’s color selection and application give each kick and punch extra force through harsh contrast where it’s needed most.
Characters
It’s not hard to guess that Skuxxoid is the centerpiece of this issue. Robert Kirkman gives the paunchy lizard purpose and direction that won’t be denied. When the final blow of realization hits, it lands with the force of an asteroid strike when all the Skuxxoids suffer under the weight simultaneously.
Originality & Concept Execution
The whole concept of a race of beings with shared memories, living under the oppression of their first, is a strange concept, but Kirkman carries it off swimmingly. You could rightly say you had no idea where Skuxxoid’s journey is going before this issue, and now that it’s done, there’s no clear path forward, but the journey is worth the price of admission.
Pros and Cons
Art Samples:
The Scorecard:
Writing Quality (Clarity & Pacing): 3.5/4
Art Quality (Execution & Synergy): 3.5/4
Value (Originality & Entertainment): 1.5/2
Final Thoughts:
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Void Rivals #31 brings Skuxxoid’s current predicament to a close with a revolutionary mutiny to overthrow Skuxxoid Alpha. Robert Kirkman crafts a conclusion that is action-packed and emotionally weighty, and Conor Hughes’s art brings the emotional impact to life. This issue feels disconnected from the Sacred Ring, but it’s one of Kirkman’s best.
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