Spawn #379 Review – The Slow Quest to Find Al Simmons

Spawn #379 (Image Comics, 9/30/26): Writer Matthew Rosenberg & artist Stephen Segovia find Rat City on the edge of turmoil when everyone sets out to find answers about Spawn’s disappearance. Issue #379 moves pieces around on the board, but fans looking for action or satisfaction will be left wanting. Verdict: Meh!

• Writer: Matthew Rosenberg
• Artist: Stephen Segovia
• Colorist: Robert Nugent
• Letterer: Tom Orzechowski
• Cover Artist: Aaron Campbell (cover A)
• Publisher: Image Comics
• Release Date: September 30, 2026
• Comic Rating: Teen
• Cover Price: $3.99
• Page Count: 32
• Format: Single Issue

Covers:

Analysis of Spawn #379:

First Impressions:

Disappointing is the only word that comes to mind. The Comics Industry has to reckon with the fact that a 20+ page superhero comic that’s almost all dialogue, especially dialogue from side characters, is something that readers don’t want. I’ll give Matthew Rosenberg credit for at least providing some decent setup, but this issue read like so much time-wasting filler.

Recap:

In Spawn #378, Al Simmons remained weakened and starving as he sought information about the mysterious homeless boy connected to Spawn. He met with vampire crime boss Aurora and learned more about the forces moving against him, while a mysterious butcher sent his young workers searching for the same boy in hopes of finding Spawn. Meanwhile, the truth about Wanda’s resurrection was revealed as Al finally unleashed Spawn’s brutal power, setting the stage for the threats closing in around him.

Plot Analysis (SPOILERS):

Spawn #370 breaks down into two plots that head in separate directions.

First, Butcher and Miles meet with Reaves in a park to discuss their mutual goal: find Al Simmons. Butcher (somehow?) is surprised that Reaves wants to partner up. Reaves offers a clue that Butcher might find Al if he finds Hudson Hill first. How does he suggest Butcher finds Hudson Hill? By reaching out to the ultimate finder of all things and people – Karl Kruger. When Butcher and Miles approach Kruger, the old man is curious but unconvinced about taking the job.

Second, roving reporter Sia and her cameraman Richie film new reports from the latest occurrences of homeless people’s deaths. Before they wrap for the night, they get a call to find out what’s happening in Central Park, which has been closed off for months by the police. Sia doesn’t get much information from the police standing guard by the police entrance, so she decides to sneak into the park. There, Sia and Riche are surprised to witness (on the last page) Spawn in a fight with Cy-Gor and Poacher.

How is the story in Spawn #379?

It’s a lot of talking that doesn’t accomplish much of anything, ending on a neat splash page. Technically, Matthew Rosenberg’s script moves the players around to set them up for something more in future issues, but that’s truly all you get in this issue: setup.

So, if all you get is a bunch of dialog, how is the dialog? It’s fine. Besides Butcher’s path to enlist help to find Al, nothing much of consequence is said. There are no shocking revelations, no mysteries resolved, and no new mysteries begun.

How is the art in Spawn #379?

The art is where this issue shines. We’ve been a fan of Stephen Segovia for years no, mostly from his work over at Dynamite, so we had an expectation of good-to-high quality. Segovia met that expectation handily. The character designs look great. Segovia’s use of shadows in the surroundings maintains the horror aesthetic that’s unique to Spawn comics, and Robert Nugent’s use of color is excellent.

Characters

As the synopsis above suggests, the focal characters in this issue are Reaves and Sia. Reaves is cool, calm, and collected while interacting with equally (more?) dangerous characters. Sia is fearless for the sake of getting her story, performing her best Lois Lane impersonation without the benefit of a Superman to save her.

Originality & Concept Execution

No points awarded for originality because nothing significant happens in this issue, except for two developments. Reaves connects with Kruger, and Sia spots Spawn. Would those points be considered original in the creative sense? Probably not.

Pros and Cons

What We Loved

• Great art from Segovia
• Rosenberg delivers strong character voices
• The last page is a surprise

Room for Improvement

• Very little of note happens
• There’s no action to speak of
• Lots of dialog but not all of it is important

Art Samples:

The Scorecard:

Writing Quality (Clarity & Pacing): 2/4
Art Quality (Execution & Synergy): 3.5/4
Value (Originality & Entertainment): 0.5/2

Final Thoughts:

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Spawn #379 is all talk and no show when assorted side characters look for information. Matthew Rosenberg moves the players around to get ready for bigger events down the line, but if you skipped this issue, you’d miss nothing. Still, Stephen Segovia’s artwork saves the day.

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