ESCAPE #3 – New Comic Review

Escape #3, by Image Comics on 10/22/25, throws Milton into the jaws of futility and refuses to blink. Between the gunfire, blood, and cold water, this series finds new ways to make heroism look downright suicidal.

Credits:

• Writer: Rick Remender
• Artist: Daniel Acuña
• Colorist: Daniel Acuña
• Letterer: Rus Wooton
• Cover Artist: Daniel Acuña (cover A)
• Publisher: Image Comics
• Release Date: October 22, 2025
• Comic Rating: Mature (gore, language)
• Cover Price: $3.99
• Page Count: 32
• Format: Single Issue

Covers:

Analysis of ESCAPE #3:

First Impressions:

This issue sprints straight into chaos and doesn’t slow down to apologize. It’s visceral, breathless, and unrelentingly grim. Every turn of the page feels like being dragged through rubble while your pulse keeps time with machine-gun fire.

Recap:

Previously, Milton’s war was a doomed mission dressed in propaganda. He tried to build a life away from war with Ruth, but the world fell apart faster than his resolve. Wounded and alone, Milton crawled through a city inferno to sabotage the Titan Cannon, each step haunted by ghosts, memories, and an unspoken farewell to peace.

Plot Analysis:

The story opens with Milton stalking through shattered buildings under cover of darkness. Every sound, every echo becomes an enemy as he inches toward survival. The writing captures his raw instability – the difference between a soldier and a ghost is just seconds and luck.

When the shooting starts, it’s less a battle and more a symphony of desperation. Milton grapples, stabs, and shoots his way through soldiers, his injuries piling up as fast as his regrets. The language turns staccato, mirroring his mind unraveling under sensory overload. Each kill feels heavier, less triumphant, more mechanical.

Then the water scene drops like a gut punch. Buried in pain and drowning, Milton’s last conscious thought isn’t victory. It’s Ruth. The art blurs between clarity and chaos as he fights the current and his own fading strength. C4 drifts away, both literal and symbolic, taking his hope with it.

By the final pages, Milton’s survival feels like an accident. The soldiers close in, his body gives out, and fate flips a coin that lands on misery. He staggers into another firefight, battered but burning with defiance because the war, physically and morally, won’t let him stop.

Story

Rick Remender’s script reads like a fever dream under bombardment. Sentences snap and break like gunfire, turning Milton’s perspective into a storm of sensory fragments. Dialogue is minimal but pointed, soaked in adrenaline and exhaustion. The internal narration doubles as poetry for the damned: tight, brutal, and painfully human.

Art

Daniel Acuña’s art is the muscle of this comic. His deep shadows and ghostly illumination transform each panel into a cinematic near-death experience. Limbs twist, bullets flare, and rain glimmers like static over a broken reel of memory. His palette – cold steel and faded amber – feels alive with anguish. Acuña doesn’t just illustrate; he assaults.

Characters

Milton remains the antihero forged in trauma, clinging to purpose when sense and body have quit. His hallucinations, memories, and whispered prayers turn him into a mirror of every soldier who’s lost the plot of their own life. Even off-page, Ruth anchors the story’s humanity, a single word that cuts sharper than bayonets. The supporting faces are fleeting, feral, and doomed, serving as echoes of what Milton could have been if luck had flipped the other way.

Positives

This issue is a masterclass in controlled chaos. The pacing is ruthless but calculated, keeping readers gasping as much as the protagonist. The immersion is total: the smoke, blood, and frost practically spill off the page. Acuña’s art syncs perfectly with Remender’s fragmented writing, giving the story an almost hallucinatory realism. Every panel feels earned.

Negatives

The relentless intensity borders on reader exhaustion. There’s barely a pause to process emotion before more shrapnel hits. While stylistically intentional, some sequences blur into confusion, muting their emotional payoff. A heartbeat of stillness could have elevated the impact of the chaos around it.

Art Samples:

Final Thoughts:

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ESCAPE #3 doesn’t just continue Milton’s descent. It detonates it. This comic feels like war distilled into ink and nerve endings, drawn by a hand shaking from memory and caffeine. It’s exhausting, brilliant, and unflinchingly alive. Few series dare to dig this deep into the marrow of futility. Remender and Acuña just keep lighting matches in the dark, and somehow, the fire never feels wasted.

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