VAMPIRELLA: ARMAGEDDON #1 – New Comic Review

Vampirella: Armageddon #1, published by Dynamite Comics on 7/23/25, launches the iconic bloodsucker directly into a storm of political rot and supernatural chaos as Vampirella hunts vanished immigrants, chases darker mysteries, and gets swept, literally and figuratively, into Hell.

Credits:

• Writer: Tom Sniegoski
• Artist: Kewber Baal
• Colorist: Omi Remalante Jr.
• Letterer: Jeff Eckleberry
• Cover Artist: Francesco Mattina (cover A)
• Publisher: Dynamite Comics
• Release Date: July 23, 2025
• Comic Rating: Teen
• Cover Price: $4.99
• Page Count: 24
• Format: Single Issue

Covers:

Analysis of VAMPIRELLA: ARMAGEDDON #1:

First Impressions:

Vampirella: Armageddon #1 slaps you in the face with gritty attitude and razor-witted banter before you can even finish the opening monologue. This is the kind of supernatural gumshoe drama where the blood is fresher, the jokes are blacker, and the stakes (pun intended) are a whole lot higher than your average cape comic.

Plot Analysis:

Vampirella kicks things off swirling in a storm of sand before we flash back to the underbelly of Sepulcher City and the infamous Menagerie, a haven for all things monstrous and marginalized. Here, Vampirella shares drinks and dark wisdom with her wolfen partner in crime, reflecting on her battle with her own bloodlust and her new gig: guardian (or devil) of society’s outcasts.

Things heat up when Louie the Lip, a classic hustler, tips Vampirella and her werewolf buddy off to a van stuffed with missing immigrants who never made it into the city. Their investigation leads them into shady, abandoned factories on Ackerman, where reality breaks down and hell-bound sorcery clouds the air. Creepy coyotes, dark rituals, and a van with “fresh meat” suggest supernatural trafficking on a scale even Sepulcher’s not used to.

Inside, things get ugly fast. Vampirella tangles with coyote shapeshifters running ritual sacrifices and encounters magic that smells like sulfur and feels worse. The action is brutally kinetic, full of barbed dialogue and savage consequences for the predators—because in the Menagerie, rules exist, and breaking them is hazardous to one’s health.

The issue detonates with Vampirella swept from our world into a true hellscape—a literal sandstorm that shreds flesh and hope. Separated from her wolfish sidekick and dumped on burning dunes, she realizes (too late) she’s been sent to Hell itself, right on cue for whatever apocalyptic showdown Sniegoski and Baal have in store.

Story

Sniegoski’s script crackles with hardboiled energy, never letting Vampirella relax into either victim or cliché. The noir influence bleeds into every snappy comeback, and the supernatural world-building feels refreshingly specific, not generic. There’s a palpable sense of heavy history: Vampirella wrestling with her hunger, Sepulcher’s wounds from Nyx’s past chaos, and a city that feels lived-in, not prefab. Exposition is cleverly folded into dialogue instead of talking at the reader, the characters spar and snarl their way through world-building.

Art

Kewber Baal’s artwork slays. His Vampirella is fierce but never objectified, visually communicating her predatory charisma and the weariness in her eyes. The Menagerie’s streets look tangibly filthy and desperate, while the action scenes slice with a real sense of momentum and violence. Francesco Mattina’s cover is a knockout, and Omi Remalante Jr.’s colors do serious heavy lifting, making even hellfire and detritus look dramatic and moody instead of muddy. The page layouts are crisp with just enough chaos; never sacrificing clarity for grit.

Characters

Vampirella herself is the perfect blend of monster and detective: a flawed, hungry hero who’s as likely to bite your head off as save it. Dialogue with her wolfen sidekick and city contacts snap with personality, and the supporting cast are more than scenery, with quirks and codes of their own. Even secondary baddies crackle with personality, their trash-talking masking deeper desperation.

Positives

Vampirella: Armageddon #1 is a masterclass in modern horror-noir. The writing juggles world lore, banter, and action without tripping over itself. The art is consistently slick and atmospheric, making Hell both terrifying and beautiful. Vampirella’s internal struggle with bloodlust gives emotional stakes that ground the wild supernatural threats. This creative team knows exactly what kind of book they want to make, and they do it with style, teeth, and brains.

Negatives

For all its strengths, new readers might feel a little lost without the baggage from previous series—references to past events (like Nyx’s rampage) aren’t fully explained for the uninitiated, though they add richness for fans. Some of the secondary villains do merge a bit together, and with the pedal slammed to the floor, the city of Sepulcher’s supporting faces may need more room to breathe in future issues. Occasionally, color saturation edges toward the excessive, threatening to muddy a panel or two.

Art Samples:

Final Thoughts:

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VAMPIRELLA: ARMAGEDDON #1 is a raging, smart, and visually lush reboot that rips open old wounds and then dares to salt them. Sniegoski’s writing lands every emotional gut punch, while Baal’s artwork brings the darkness and fire in spades. The world feels dangerous, the heroine is magnetic (and occasionally monstrous), and the cliffhanger sends Vampirella (and readers) straight to Hell, desperate for the next issue.

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