TORPEDO 1972 #2, by Ablaze Publishing on 4/3/24, sends the aging gangster on a revenge quest to kill the journalist who framed him for murder.
The Details
- Written by: Enrique Sánchez Abulí
- Art by: Eduardo Risso
- Colors by: Eduardo Risso
- Letters by: Vibrant Studios
- Cover art by: Eduardo Risso (cover A)
- Comic Rating: Mature
- Cover price: $3.99
- Release date: April 3, 2024
Is TORPEDO 1972 #2 Good?
In issue #1, Torpedo, an aging gangster in New York City, was approached by a journalist named James and his photographer girlfriend, Wendy. James intended to write an expose on Torpedo, promising money for information. However, things went awry when Torpedo assaulted Wendy. James altered the expose, framing Torpedo for a murder he didn’t commit, setting the stage for revenge.
Now in Torpedo 1972 #2, Torpedo and his sidekick Rascal confront the Caputo family in a bar, seeking the journalist who framed him. A brawl ensues, resulting in Torpedo and Rascal wiping out the Caputo sons and the bartender. Meanwhile, James and Wendy plan to flee the city, but Torpedo is hot on their trail. Following them to a movie theater, Torpedo guns down James in a subway, inadvertently killing bystanders. Back at Torpedo’s place, Rascal claims he killed Wendy, but it turns out she’s still alive and on the run.
The story’s tone is a peculiar blend of dark humor and absurdity. Torpedo and Rascal’s exaggerated personalities turn mundane tasks into life-or-death situations. Their casual approach to violence, including rape and murder, adds a surreal twist, reminiscent of gallows humor. This issue maintains the spirit of earlier Torpedo stories, offering a violent, yet strangely entertaining, narrative.
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What did we like about TORPEDO 1972 #2?
The hyper-violent storytelling, coupled with larger-than-life characters, makes for an engaging read. The comic captures the essence of 1972, with detailed artwork depicting the era’s fashion and atmosphere. Eduardo Risso’s illustrations effectively convey the gritty, noir aesthetic, enhancing the overall storytelling experience.
What didn’t we like about TORPEDO 1972 #2?
One minor flaw is the occasional awkwardness in dialogue translation, particularly between Italian and English. While it doesn’t detract significantly from the story, these instances can momentarily disrupt immersion.
How’s the Art?
Eduardo Risso’s art complements the narrative perfectly, capturing the gritty, grimy essence of 1970s New York City. The attention to detail in character designs, clothing, and settings immerses readers in the era’s atmosphere, enhancing the storytelling experience.
Final Thoughts
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TORPEDO 1972 #2 offers an entertaining blend of hyper-violence and dark humor, reminiscent of giallo films directed by Quentin Tarantino. While occasional translation quirks may briefly interrupt the flow, the overall narrative remains captivating.
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