NO MAN’S LAND #1 – New Comic Review

No Man’s Land #1, by Image Comics on 9/17/2025, sends a close-to-retirement FBI Agent to Alaska to investigate a mysterious murder with National Security implications.

Credits:

• Writer: Szymon Kudranski
• Artist: Szymon Kudranski
• Colorist: Szymon Kudranski
• Letterer: DC Hopkins
• Cover Artist: Szymon Kudranski (cover A)
• Publisher: Image Comics
• Release Date: September 17, 2025
• Comic Rating: Teen
• Cover Price: $3.99
• Page Count: 32
• Format: Single Issue

Covers:

Analysis of NO MAN’S LAND #1:

First Impressions:

This comic is a banger of an issue. It takes an old-school story and gives it new life with a gritty, modern feel. The art pulls you in from the very first panel, and the dialogue keeps you hooked.

Plot Analysis:

he story begins with a monologue about the nature of humanity, violence, and war, suggesting that aggression is an innate part of our nature. This philosophical opening sets a somber, thought-provoking tone, questioning whether peace can ever truly exist without the readiness for conflict. The narrative then shifts to a speech by a figure, revealed to be President John F. Kennedy, who condemns secrecy and a “monolithic and ruthless conspiracy” that uses covert means to expand its influence. The speech describes a highly efficient machine that combines military, diplomatic, intelligence, and political operations, all concealed from the public. This is explicitly linked to the Cold War.

We are introduced to Director Stephen Harris and Agent Collins, an FBI agent on his last few days before retirement. Collins is known for his dedication to the job and for never having to fire his weapon, believing that the greatest victories do not require bullets. He is summoned to Harris’ office to discuss his retirement. In a tense conversation, Harris informs Collins that his resignation has been turned over to the White House and that he is being asked to accept a highly classified mission. The mission is a matter of national security and cannot be refused.

Harris reveals that a body of a young woman was found on the Little Diomede Island in Alaska, which is a small island in the middle of a “No Man’s Land” between the U.S. and Russia. The case is unusual, as the body was found without its internal organs, a detail that has led military and political figures to suspect Russian involvement. Given Collins’ reputation for avoiding conflict and his experience as an FBI agent, he is the perfect choice for an undercover investigation on the island.

The story shifts to Collins’ home, where he is met with a confrontation from his wife, who is frustrated by his emotional absence and his inability to leave his work behind. The couple’s conversation reveals a deep rift, culminating in his wife telling him that she filed for divorce. Collins accepts the mission and heads to Seattle, then Alaska, where he is briefed on the mission and given a warning about the local Native population and the Soviets. The issue concludes with Collins being dropped off on the desolate, snow-covered island, completely alone.

Story

The writing is electric, moving briskly through an introductory monologue and into the character-driven narrative. It effectively establishes the moral and political stakes of the story. The dialogue is sharp and conversational, particularly the witty banter between Collins and his fellow agent Cody. The monologue from President Kennedy is a standout, serving as a chilling backdrop to the story’s themes.

Art

The art is phenomenal, with a grainy, noir-style that perfectly suits the espionage and mystery genre. The visuals are detailed and dynamic, with strong use of composition and shadow to build atmosphere. The art does a great job of conveying emotion and intent without excessive narration, from the tense expressions in the office to the desolate beauty of the Alaskan landscape. The black and white, photo-realistic style is incredibly impactful, giving the book a gritty, lived-in feel.

Characters

The characters are well-developed and relatable. Agent Collins is a compelling protagonist, a man who has dedicated his life to a job that has cost him his marriage. His internal struggle is clear, as he is forced to confront the dark reality of his profession. Director Harris is a classic stoic leader, and Agent Cody provides a welcome dose of humor and humanity.

Positives

This comic boasts an intriguing plot that promises a dense and complex narrative. The art is an absolute triumph, setting a moody and tense atmosphere that perfectly complements the story’s themes. The dialogue is top-notch, with snappy one-liners and emotional depth that make the characters feel authentic. It’s a gripping Cold War thriller that manages to be both a political commentary and a deeply personal story.

Negatives

There’s little to find fault with in this issue. The narrative is so dense and complex that it might be confusing for some readers. The ending is abrupt, leaving many questions unanswered, but that’s what a first issue is supposed to do, isn’t it?

Art Samples:

Final Thoughts:

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NO MAN’S LAND #1 is the bee’s knees. It’s a masterclass in mood, art, and storytelling, a dense and compelling read that leaves you hungry for the next issue. With its stellar art, gripping plot, and a protagonist you can’t help but root for

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