Grimm Fairy Tales (Vol. 2) #100, by Zenescope on 9/24/25, unspools an earth-shaking showdown as the last strands of the universe teeter on the edge.
Credits:
- Writer: Joe Brusha
- Artist: Rodrigo Xavier, Hakan Aydin, Al Barrionuevo, Massimiliano La Manno
- Colorist: Jorge Cortes
- Letterer: Taylor Esposito
- Cover Artist: J. Scott Campbell (cover A)
- Publisher: Zenescope Entertainment
- Release Date: September 24, 2025
- Comic Rating: Teen
- Cover Price: $4.99
- Page Count: 50
- Format: Double-Sized Issue
Covers:
Analysis of GRIMM FAIRY TALES (VOL. 2) #100:
First Impressions:
This issue cranks the stakes as high as they can go, with heroes battered, the world cracking, and old feuds dissolving in the face of total annihilation. The creative team delivers chaotic action and apocalyptic visuals that feel both exhausting and epic. It’s a testament to just how far the series has come, even if the weight of myth nearly buckles under its own ambition.
Recap:
Previously, Skye and her allies scraped through the ruins of collapsing realms, battered and bereaved. They gathered three powerful artifacts meant to counter Father Time, who ramped up his scheme to end everything. Allies fell, the stakes grew, and desperate gambits led our heroes toward the ultimate showdown. All signs pointed to a universe-shaping clash, where even survival wouldn’t guarantee hope.
Plot Analysis:
Father Time steps up as the architect of destruction, delivering an ominous prologue that sets a grim mood for what follows. The realms are crumbling, and Skye’s crew faces their darkest reflections—literal doubles conjured by Father Time, embodying what each hero might have become in a crueler world. These eerie battles force the team to confront their own inner shadows; sometimes with swords, sometimes with harsh truths.
The tide turns when Skye realizes they must fight one another’s doppelgangers rather than their own. The team splits their targets, relying on trust and instinct, and won’t stop for anything. Raw magic and conviction light up the battlefield as Skye, Shang, Liesel, and Mystere trade blows in a frantic attempt to tip the scales back toward hope.
But Father Time folds time to his will, sweeping the doubles away and trapping the heroes in a new, twisted phase of his scheme. The plot swerves across realities: Robyn is cast into endless desert, isolated from her friends and hunted by foes. Meanwhile, Skye and the survivors muster every last bit of resolve, wielding artifacts and legendary powers as the realms crumble.
The climax erupts in a multiversal tangle of power, choice, and resistance. Skye is faced with ultimate temptation: end time’s suffering, or fight for freedom. The solution bends reality itself. The story resolves with most realms destroyed, only Earth remaining, and everyone scarred. Father Time is down, but the wheel of fate spins on, promising new monsters in the cracks left behind
Story
Joe Brusha scripts a relentless climax; every speech an omen, every fight a metaphor for hope and dread. The dialogue walks a tightrope between epic and grandiose, sometimes veering into mythic territory that flirts with melodrama but always dives back to character-driven urgency. Pacing is feverish, never letting heroes catch their breath, which works for an apocalyptic finale even if it occasionally leaves emotional moments underexplored.
Art
Rodrigo Xavier, Hakan Aydin, Al Barrionuevo, and Massimiliano La Manno tag-team the visuals with kinetic compositions and explosive colorwork. Jorge Cortes’s palette makes every magical blast and shattered realm pop. The battle scenes feel more chaotic than clear, with so many characters and doubles running amok that the page sometimes buckles under excess. Up-close panels win out, capturing desperation and determination in every frantic expression.
Characters
Skye anchors the story by refusing to yield. Her internal conflict lifts the plot from mere spectacle to something nearly poignant. Robyn, Mystere, and the supporting cast shoulder the weight of lost realms and fading hope, each grappling with their destiny and choices. Father Time looms as a delightfully smug cosmic meddler, giving the proceedings a meaningful enemy. While the sheer number of cameos and double-bodied foes muddies the emotional waters, the central characters push through, battered but not beaten.
Positives
The art team’s unhinged ambition gives every panel a raw intensity, making magical duels and collapsing worlds feel consequential. Writing stays laser-focused on stakes, never undercutting the danger or letting heroes coast. Originality shines in the premise: fighting twisted versions of themselves and being forced to choose between annihilation or survival with agency. Everything feels big, wild, and – despite the chaos – genuinely thrilling.
Negatives
There are so many plot threads, doubles, and reality shifts that newcomers are likely to feel utterly lost. At times, the pacing hurtles so fast that moments of actual drama get crushed under the avalanche of battles and cosmic speeches. Art, though consistently vibrant, can overwhelm with its cluttered layouts. The issue tries to tie up loose ends, but some resolutions feel rushed, and Earth surviving while everything else vanishes reads as a narrative cop-out for a “fresh start” that leaves the rest of the universe on the cutting room floor.
Art Samples:
Final Thoughts:
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GRIMM FAIRY TALES (VOL. 2) #100 throws everything at the wall: cosmic stakes, moral dilemmas, fancy sword fights – sometimes in duplicate. It’s epic, loud, and more than a little exhausting, but rarely boring. If the end of the universe has to come, at least it arrives in a firestorm of color, wit, and mythical bravado. Just be ready to dodge a few narrative stray bullets. The Grimm universe ends not with a whimper, but with a punch to the gut and a wink at what comes next.
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