Amazing Universe Presents: Cybermancy: Haunted, by Drive Thru Comics on 11/27/25, is here to test if magic, mayhem, and mentorship can sell you on a haunted house gig as more than an afterschool job.
Credits:
- Writer: Robert Jeffrey II
- Artist: Matteo Illuminati
- Colorist: Arianna Pisani
- Letterer: Lettersquids
- Cover Artist: Matteo Illuminati (cover A)
- Publisher: Drive Thru Comics
- Release Date: November 27, 2025
- Comic Rating: Teen
- Cover Price: $2.99
- Page Count: 36
- Format: Single Issue
Covers:
Analysis of AMAZING UNIVERSE PRESENTS – CYBERMANCY: HAUNTED:
First Impressions:
The opening lands with a punch: corporate greed, mystical dread, and that well-worn mentor-apprentice dynamic turbocharged by Shawn Evans’ music-fueled spellcasting. The core idea about blending high-tech wizardry with classic horror gets immediately put to the test, thanks to a brooding mansion and a “final exam” with serious teeth. If this is what you expected from a cybernetic sorcery comic, congrats; all the ingredients are on display, even if the recipe’s a touch familiar.
Plot Analysis:
Wayne Morgan, magic mogul and walking TED Talk, brings his apprentice Shawn Evans to the infamous Vanlion Estate under the guise of a field test for Cybermancy, his corporation that fuses sorcery with tech. Shawn expects office drudgery, but instead gets thrown into a portal and forced to survive a mansion haunted by the spirits of corporate disasters and blood magic gone wrong. With earbuds in and attitude cranked up, Shawn soon squares off against demons, spectral staffers, and a growing sense he’s the only one not in on the punchline.
Throughout the test, Wayne narrates the backstory of Cornelius Vanlion – a desperate industrialist who bargains away his soul and his staff to dark spirits in exchange for a doomed shot at greatness. This historical horror, mixed with present-day high-stakes magic, frames Shawn’s actual test: exorcise the ghosts and heal the house’s heart, not just survive the murderous entities.
Shawn handles the supernatural onslaught the only way he knows: with a mixtape of spells (literally), turning tracks like “Survival Tactics” and “Fistful of Steel” into weapons. His resourcefulness and deep-seated resentment for both the test and his mentor’s methods are on full display as he battles spectral maids and ghostly forces while Wayne spectates (sometimes helpfully, often smugly).
By the end, Shawn succeeds. Not by nuking the house, but by understanding that true power means healing rather than simple destruction. The spirits are set free, the mansion is restored, and Wayne finally shows something resembling approval. The emotional punch comes with Shawn reflecting on his own family’s tragedies, grounding an otherwise wild arc of arcane tech and haunted history.
Story
The comic moves at a brisk sprint, rarely slowing down for anything resembling exposition outside Wayne’s narration. Dialogue is functional and sometimes clever, particularly in Shawn’s banter and Wayne’s world-weary confidence. The structure is strictly linear, with the “exam” serving both as a gauntlet and as character therapy, which keeps the action moving but occasionally undercuts big reveals in favor of relentless set-pieces.
Art
Matteo Illuminati’s art is dynamic and clean when focused on character action, with exaggerated haunted house flourishes that recall both videogame horror and Vertigo’s brand of urban decay. Panels are easy to read, especially during major magical moments, though the muted color palette can sometimes bury detail under atmosphere when a bolder contrast might have helped clarify action. The mood swings between chilly suspense and high-octane action, often guided by splashy visual cues linked to Shawn’s playlist tactics.
Characters
Shawn Evans shows just enough depth: resentful, loyal, and desperate to prove something, but also haunted (literally and figuratively) by his past. The mentor-mentee dynamic with Wayne is drawn with sharp, cynical undertones: Wayne wants an apprentice but acts like an overlord, adding tension that comes less from dialogue and more from their body language and reactions. Shawn’s motivation is strong and explicit but not overly complicated, which means he’s familiar but not revolutionary as a protagonist.
Originality & Concept Execution
Combining a haunted house, hip-hop spellcraft, and an urban fantasy megacorp isn’t exactly new terrain, but the comic’s niche execution gives it mild novelty. The spell-naming gimmick is genuinely fun, though the story often falls back on familiar tropes, such as a test of worth, a family tragedy flashback, and the classic “heal the wound” resolution. The premise is delivered with style, if not a ton of surprise.
Positives
If you love comics that keep things moving and twist genre conventions just enough to keep you guessing, “Cybermancy: Haunted” delivers value. The spellcasting mechanics are visually distinct, the haunted mansion hits the right genre beats from Resident Evil to Vertigo, and the banter between leads keeps it from feeling generic. The art pops in action scenes and the emotional core brings welcome authenticity to a pulpy plot.
Negatives
For all its energy, the story can be a formulaic ride. The pacing leaves little room for suspense or character introspection, sacrificing narrative risk for spectacle. The color palette, while moody, sometimes muddies key action beats, and if you’re looking for a villain more nuanced than “haunted real estate agent with a tragic backstory,” keep waiting. The greater narrative ambition feels like it’s stuck in first gear, teased more than delivered.
Art Samples:
The Scorecard:
Writing Quality (Clarity & Pacing): [2.5/4]
Art Quality (Execution & Synergy): [2.5/4]
Value (Originality & Entertainment): [1.5/2]
Final Thoughts:
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If you prefer your comics quick, punchy, and drenched in both mood lighting and world-weary sarcasm, AMAZING UNIVERSE PRESENTS – CYBERMANCY: HAUNTED mostly earns the price of entry. It’s not blazing new trails, but it does its haunted tech-house hustle with enough swagger and sincerity to keep you entertained, provided you don’t mind a few recycled riffs on the way to the drop.
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